Spectacles‘ plot is built on a rather unconventional concept: A promise made between the antagonist Robert Spellbinder and his sister Amanda. The promise? In the words of Lucidan composer Elkovsky, “Only that she would return.”
As hinted at in the opening sequence of Spectacles: Bruce’s Story, Amanda makes the catalyzing promise under rather urgent circumstances. While what these circumstances exactly are isn’t revealed in the intro, it’s obvious from her tone that something sinister is brewing. Later on, we learn of the existence of the Littermates, the collective name for the eleven children fathered by Victor Spellbinder. According to a prophecy, the ninth Littermate is destined to become the Primus, the most powerful sorcerer either world had ever known.
Now you’re probably saying at this point: “Stop right there, Bruce! The prophecy thing has been done to death; it’s the oldest trick in the book!” And you would, in fact, be correct. However, Spectacles takes the idea in a different direction, subverting the cliché quite nicely.
See, here’s the thing: Amanda undermines the prophecy herself! It turns out that shortly after she went off to find her place in the world, she ended up selling her soul to Hades. Her reason for doing so isn’t revealed until just before the penultimate battle with Robert Spellbinder, but I’m sure you can guess why she did it: To take her brother’s place as the Primus.
Unfortunately this means, as you can probably guess, that Amanda will become a much bigger threat later on than her brother ever was…